The story is about a town where special people live.  (Sanctuary meets Eureka).  The people aren’t bad, but there was a time of “troubles” when the special people were persecuted for their specialness.  (X-Men).  And a pair of investigtors do their best to puzzle out the mysteries that pop up ever week.  (X-Files or just about any cop show out there.)

But everything is a cliche if you take it in broad strokes.  What really hurts Haven is the execution.  With only three episodes, I’ve seen three stories I’ve seen elsewhere already.  The first was about a woman whose emotional state controlled the weather.  Saw that on the X-Files.  The second was about a kid who had the unconcsious ability to manipulate reality with his dreams.  Saw that in a Buffy episode and felt an awful lot like a replay of the first episode of Haven in terms of story beats.  The third episode is about inexplicable rage seizing people.  This was the same plot that was just on the episode of Eureka the very same night, in the hour before Haven came on. 

If I’d never seen or read any urban fantasy story then maybe Haven would have something new to offer me.  As it is, it’s just thoroughly unremarkable.  While I don’t hate it, I can’t imagine going out of my way to see it.  And in the 80′s, when viewing choices were a lot more limited, I might have even watched it.  But this is the future, and I can watch pretty much anything I want when I want. 

I think the problem isn’t with Haven itself, but with the entire genre.  I think urban fantasy on television is a dead end.  It’s hard to do anything new.  All of Syfy’s original programming just seems like a variation of something I’ve seen too many times before.

I feel like the guy watching the end of the Western.  It’s not that Westerns are completely dead, but there’s almost nothing new to be done.  The beats have been so thoroughly explored that anyone familiar with the genre can predict nearly everything that’s going to happen.

I think urban fantasy is experiencing the same problem. It’s great that the genre is flourishing to some degree, but what was once special, seems commonplace, predictable. I love fantasy / sci fi for the unexpected and new, but the limitations of television and the tapped out nature of the genre makes this more difficult than ever.  There are still interesting shows out there.  True Blood comes to mind.  Although I don’t know if the show really does anything that different as much as get that extra edge that comes from being on HBO and being very well produced.

(But even HBO’s brand of boobs, swearing, and gratuitious sex has become cliched to some degree.)

I’m not suggesting that the genre is dead.  Not yet.  It can go on a long, long time the way it is.  People like predictable things.  Predictable things allow people to feel smart.  And we don’t necessarily watch TV shows for the stories.  We watch for the characters we like, the payoff of seeing a recurring story play out, even if those stories are by-the-numbers.

(If you don’t believe me, ask yourself when was the last time you saw a show with a pair of mixed gender, unattached protagonists that you didn’t automatically assume they were going to hook up at some point?  Heck, Scully and Mulder never made a damn bit of sense as a couple, but that didn’t matter because, who gives a damn about their personalities?  They’re the leads.  They fall in love.  End of story.)

And I don’t want to act as if I have any answers, even if I turn out to be right.  Because if you were to ask me how to save the genre, I’d say honestly that I don’t have a clue.  And I’m not even sure the genre needs saving.  I am not the audience obviously.  I don’t even read much fiction, fantasy or otherwise, and I don’t watch much TV.  So maybe I’m the wrong guy to bring this up.

I could be wrong.  I’ve been wrong once or twice before.  People do seem to enjoy their generic Twilight vampires and by the book Towns with a secret!  And given the limitations of TV production, the urban fantasy genre probably isn’t going anywhere.  It’s a great way to bring fantasy to the small screen on a reasonable budget.  Something like John Carter of Mars might make an awesome TV show, but it’d be impossible to produce without robbing it of all the wonderful fantasy elements.

But I’ll admit that I might just be the odd man out on this one.  Perhaps I’m just a crank.  Or maybe I’m a prophet, a seer into the strange, inevitable future.  Ignore me at your peril.  Or not.

Fighting the good fight, Writing the good write,

Lee

Things get cancelled.  Great things.  We all know this.  So why is it that some things evoke a fan-based delirium and some don’t?  Beats the hell out of me.

I know, Whedon fans, how you adore him.  How Firefly was apparently the greatest show ever created (although it really wasn’t on long enough to prove it), but really, I wish you’d just get over it.

Maybe this is just my perspective, but I’m used to things I like getting cancelled.  I regret it, but I move on with my life.  But, hey, if I gotta hear about Dollhouse & Firefly, then at least do me a favor and listen to theis list of awesome things that never got their fair shot.

KOLCHACK THE NIGHTSTALKER:  Yes, this show was on and off the air before I was even watching television, but it’s a damned fun show.  I love Kolchack.  He didn’t disappear entirely.  Moonstone Comics occasionally tells a Kolchack story.  They had a solid mini series a few years ago.  And they tried to revive the series a few years ago, but they completely missed the point of the original.  They ditched the monsters and went X-Files, which robbed the idea of all its charm and just turned it generic.

MANIMAL:  Our hero can turn into any animal.  Although for budget reasons, he tends to just transform into the same two.  But Manimal was still awesome.

AUTOMAN:  A police detective discovers a way to bring a video game character to life.  Together, they fight crime.  Every bit as beautiful as it sounds.

ELEVENTH HOUR:  Imagine this.  A show about a science guy who solves crimes that is damn good.  Nobody really noticed Eleventh Hour when it was on, but it was a good show.

CENTURY CITY:  Lawyers in the future!  This one was doomed from the start.  I knew that.  It didn’t last long, but I enjoyed ever episode I saw.  It was an original concept and a unique take on lawyer & sci fi shows.  Of course, it never had a chance, and I don’t know if it would’ve kept entertaining me.  But it was at least original enough that it deserved a shot in my humble opinion.

THE THING:  This isn’t a TV show, but a comic book.  A few years ago, the Ever-Lovin’ Blue-Eyed Thing got his own solo series.  It was terrific.  Great writing.  Great fun.  Great art.  It lasted all of 9 issues before Marvel realized they were producing a comic that didn’t have Wolverine or Spider-Man in it.  Couldn’t let that last, could they?

This one really bugs me because I didn’t expect the Thing’s series to last, but it would’ve been nice to at least make it to issue 12.  Would one year have been too much to ask, Marvel?  Guess so.

WAR OF THE MONSTERS:  A video game.  The best monster-based fighting game ever, bar none.  While the game is great, it didn’t do well enough to warrent a sequel.  Which stinks because if the developers had gotten a chance to develop it further, I think they would’ve ditched its flaws and improved it considerably.

If Halo fans can act like their generic space marine FPS obsession is a gift direct from The Mighty Robot King himself, then I think I’m entitled to at least one decent kaiju-fightin’ video game.